|
Enemies of History
|

Click here for the text
version of this tip |
 |
Age
Ageing is a natural and unstoppable process. Over time all records
will deteriorate. Deterioration will occur at different rates
depending on a variety of environmental factors and the relative
stability of the raw materials used to create the records. However,
given proper storage conditions and handling practices the ageing
process can be slowed, at times, to a virtual standstill.
But sometimes age is not the primary factor governing the condition
of a record. A combination of environmental conditions and what
conservators call “inherent
vice” (deterioration linked to the instability
of a record’s component parts) determine the speed of deterioration. |

Click to
see a
larger image (99K)
Going for You
Ontario Government
RG 9-135-02 |
For example, the segment of colour film to the left, from
the 1968 Ontario Government movie “Going For You”
is severely faded and the colours are no longer accurate.
But the strip of film to the right, shot in 1940, some
28 years earlier, is still quite accurate colour-wise, and
there is little evidence of fading.
The main difference is that the older film
may have used dyes and a developing process that was inherently
more stable than that used for the more recent film. |

Click to
see a
larger image (94K)
Irwin Collection
C 92-1-0-37 |
|
|
| External Factors
External factors also play a major role in an object's deterioration.
The Canadian
Conservation Institute (CCI) has categorized the
conditions that contribute to the wear and tear of records into
nine general categories:
- Direct physical forces,
such as the damage caused by accidental dropping and crushing
- Thieves, vandals, and “displacers”
(those who inadvertently lose or misfile)
- Fire
- Water
- Pests, such as rodents,
insects, and mould
- Contaminants, such as
air pollution, dust, and oil
- Radiation (light, especially
ultraviolet light (UV)) hastens the fading, darkening or other
colour change of all organic materials and some coloured inorganic
materials
- Incorrect temperature
(too high and materials discolour and disintegrate, and too
low they become brittle)
- Incorrect relative humidity
(too high promotes mould growth and metal corrosion, and too
low causes embrittlement)
|
Constant vigilance is key to preventing damage
from these external factors. Prevention is the cornerstone of
the Archives' preservation strategy. Archives conservators monitor
the storage environments, develop policies and procedures, and
advise and train staff on a variety of preservation related issues
all in an attempt to prevent damage to the collections from occurring.
It is far more cost effective to apply preventative measures than
deal with the effect of damaged records. If damage does occur,
conservators will intervene to stabilize the item and prevent
further deterioration, possibly by treatment and/or creating custom-built
storage containers. |
 |
Direct Physical Forces |
| Care of the Government
of Ontario’s Art Collection is
entrusted to the Archives. Comprising almost 2,500
original works done in a variety of media, works
from the collection may be found in the Legislature
and in and around various government buildings across
the province. Preservation Services
staff specialize in archival conservation (mainly
paper, books and photographs), and provide treatment
and other assistance for these media in the collection.
Conservators in private practice with other specializations
such as painting or sculpture are contracted as
required to treat damaged or deteriorating pieces.
Inadvertent damage may result
from poor handling. This bronze-painted plaster
statue of Sir George-Etienne Cartier, by Louis-Philippe
Hebert, lost its left arm and right forefinger when
it was improperly moved.
|

Click
to see a larger image (113K) |

Click
to see a larger image (119K) |
A private artefacts
conservator was able to re-attach the broken pieces
as shown below. [Photos by Paul Wilson].
|
|
 |
|
|
 |
|

| The treatment of paintings also
often requires intervention by the specialist conservator.
“Redstone Lake, Haliburton”,
the painting by George J. Prouse shown below, is
an oil on canvas work. Incorrect handling resulted
in a large tear of approximately 14 cm across the
middle of the painting.
|

|

|
|
The subsequent treatment, in which
the canvas fibres were rewoven and the paint losses
infilled, took twenty hours to complete. This treatment was undertaken offsite
by a painting conservator and the results can
be seen in the image to the right. [Pictures by
Janice Passafiume] | 
|
|
|
 |

|
The risk of damage through improper handling rises exponentially
with highly fragile or brittle media such as glass plate negatives.
The example on the left has been broken into two pieces. |
 |
Fire
All archival collections are flammable. Some types
of records such as cellulose
nitrate photographic negatives and motion picture
film are more flammable than others. Fire can result in total
or partial loss as in the example below so Archives conservators
ensure storage areas are equipped with fire detection and suppression
systems. Maintaining the Archives’ disaster response and
recovery plan is also a responsibility of Preservation
Services staff.
|

|

|
| Soot as a by-product of fire can also cause serious
damage to collections. In the example above left, all but the lower
quadrant of this photograph suffered from soot damage. Soot can
disfigure records and, if left untreated, it can be very difficult
to remove. |
 |
|
Water
Just as fire can lead to the total loss of collections, so too
can water. Many archival records incur serious damage if subjected
to a flood situation. Mould can grow within 48 hours, so it is
imperative to act quickly. |

Click to see a larger image (87K) |
| |

|
The Archives' conservators continually monitor
storage environments for sources of water leaks and provide disaster
recovery advice and assistance to ministry staff throughout the
provincial government.
|
 |
Pests
Another way Archives conservators prevent damage to collections
is blocking the entrance of pests into the storage environments. |
The three major pest categories are rodents,
mould and insects. In the example to the right, insects have eaten
a lacy pattern into the edge of the paper and stained it with
frass (fecal matter). Conservators inspect in-coming collections
for infestation, and sometimes records are quarantined and fumigated
prior to entering storage. Conservators also continually monitor
storage areas for any signs of infestation. |

|
 |
Dust
Dust never sleeps. It is a silent and widespread contaminant
that can evade even the best defences.
However, if left alone it becomes more than just an embarrassing
symbol of bad housekeeping. |

|
| |
|

|
Dust can contain airborne pollutants that act as paper-destroying
acids, mould spores and food particles that attract pests. Combating
the spread of dust is just one of the many functions Preservation
Services staff at the Archives perform.
|

|
 |
Radiation
Light, particularly the ultraviolet (UV) component, is harmful
both in terms of the intensity of the light and duration of exposure.
Light damage is cumulative and cannot be reversed. Radiation can
weaken and discolour materials.
In this watercolour the part of the image not protected from
light has faded. A poor quality acidic mat has also resulted in
staining of the image around the edges of the mat window. This
is commonly known as mat burn.
|

|
If an item from a collection is to be displayed it
is better to have a copy made and display the copy. If the original
is used, protect it with ultraviolet (UV) filtered glazing. Also,
it is important not to hang the item in direct light. |
 |
Incorrect Temperature
Heat is another source of deterioration that should
be avoided. Many archival records consist of inherently unstable
material. Paper made after 1850 often consists of ground
wood pulp and is sized with acidic
alum rosin (size is added to the paper to prevent
writing and printing inks from feathering). Early plastic-based
photographic negatives are composed of cellulose nitrate
or cellulose acetate.
Unfortunately, these types of records will naturally deteriorate
over time due to the inherent instability of their component parts.
Heat accelerates the rate at which these chemical reactions occur,
causing your collections to deteriorate even faster. |
The higher the temperature, the faster and more extreme the
deterioration.
With heat, cellulose acetate negatives discolour, channel, shrink
and distort, as shown in the image to the right. Paper often turns
brown and becomes very brittle. |

|
 |
|
Incorrect Relative Humidity
Incorrect relative
humidity can lead to a variety of preservation problems.
Higher levels of water vapour in the air can contribute to metal
corrosion, mould growth and insect proliferation. Low relative humidity
can cause some records to become brittle and more fragile to handle.
Archives conservators monitor the storage environments for fluctuations
in relative humidity and work with the Facility Manager
to maintain a stable storage environment.
|

|
|
|
The image on the left above shows
a record with visible signs of mould damage that is the result of
a damp environment. But paper records don't need to be damp to the
touch to exhibit deterioration. Higher humidity levels in the air
can also lead to minor damage such as rust staining from corroding
metal fasteners such as the stains from the paper clips in the detail
on the right above.
|
|
Mould will develop if the relative humidity is above
75%, temperatures are warm, there is little airflow, and a food
source is present.
|

|

|
|
All archival media is susceptible to damage from
mould and it can completely destroy an archival record if left
to grow unchecked, as in the two examples above.
Incorrect relative humidity can also cause damage
to photographs and photographic negatives. In the example to
the right, the emulsion has cracked and lifted due to expansion
and contraction caused by fluctuations in temperature and relative
humidity. |

|
 |
| Technological Obsolescence
Technological obsolescence might also be added
to the above list, particularly now that the digital age has arrived.
Increasingly, the Archives receives electronic records in government
record transfers or through private donations.
Electronic records present new preservation challenges. Similar
to paper records, electronic records are still on a medium that
requires safe storage and handling. However, unlike paper, which
needs no special equipment to access its recorded information,
electronic records require equipment for their information to
be retrieved and decoded. Each new generation of equipment required
to read electronic records is becoming obsolete at an unprecedented
rate, as anyone who has an unreadable file on a 5-inch floppy
knows.
Similarly, the electronic files may exist in
obsolete applications and formats, like Word Star. In order to
preserve electronic information so it can be accessed by future
generations, the Archives must monitor technological advances
and develop migration strategies to transfer electronic records
to new technologies as they emerge. |
|
 |
Among the items pictured here are a number of digital
formats, ranging from obsolete (e.g., the disk pack in the top
left, the punch card in the bottom left) to "at risk"
(the 9-track tape, front right) to the relatively current (Compact
Disc and CD-R media, front centre). None of these formats is more
than 30 years old, which is old by the standards of the technology,
but not necessarily by the needs of the information contained
on them. These were all "cutting edge" solutions in
their day and, while the Compact Disc and CD-R media are currently
in use, the others are now legacies, the contents of which must
be copied to new media formats.
In contrast, the 16mm film and 1/4" reel to reel tape in
the centre of the illustration are formats that have been in use
for many years, but playback equipment is still readily available. |
|
|